Friday, July 19, 2019

That Time Andy Warhol Came to Birmingham

Andy Warhol was one of the best known and most controversial artists of the 20th century. His influence on both the art world and popular culture has been extensive; we can thank him for the Velvet Underground if nothing else. 

In 1979 Warhol was commissioned to paint four portraits of city residents Charles Ireland and his wife Caroline. He worked from Polaroids taken some months earlier. In March of that year Warhol came to the Birmingham Museum of Art for the presentation of Charles Ireland's portrait seen below.

That event took place on March 9. The BMA's web site has this further note about the visit: 

The artist was treated to a barbecue lunch during his interview for The Birmingham News. Eating his sandwich, Warhol quietly remarked, “It’s very good…No, we can’t get good barbecue in New York.”

Some further comments are below.




Source: BhamWiki.com 


Ireland joined the family business, the Birmingham Slag Company, in 1939. By 1951 he was president and steered the firm's merger with a New Jersey company to form Vulcan Materials. Ireland was named chairman of the board and remained in that position until his retirement in 1983. He died in 1987 and is buried in Elmwood Cemetery. 






Warhol and the portrait at the BMA on 9 March 1979

Source: Alabama Dept. of Archives and History





Warhol at the BMA 9 March 1979

Source: Alabama Dept. of Archives and History






Warhol with Caroline and Charles Ireland 9 March 1979

Source: Alabama Dept. of Archives and History







Wednesday, July 17, 2019

Alabama History & Culture News: July 17 edition



For a number of years I've been posting links to just-published Alabama history and culture articles to the "alabamahistory" group at Yahoo!Groups. Most of the articles are from newspapers, with others from magazines and tv and radio websites. You can subscribe to the emails there if you wish; I send out two or three a week along with relevant meeting announcements and so forth. 

Here's the latest batch:

ASU celebrates 152nd birthday party
On Thursday, Alabama State University is celebrating the 152nd ... A State of Alabama historical marker stands in front of ASU's William Harper ...


2019 Musicians Hall fo Fame inductees announced; ALABAMA to receive first-ever Lifetime ...
(WTVF) — The Musicians Hall of Fame announced their 2019 inductees today with some big names and musicians responsible for some of history's ...



Historic marker dedicated in Elsanor
After Campbell spoke about the upcoming culmination of Celebrating an Alabama 200 event in December, Merchant and Bedsole read the history of ...


Alabama's 'Father Goose' is as prolific a poet as ever
He celebrates the state's 200-year history with “Alabama, My Home Sweet Home,” which was chosen by the Alabama Chapter of the American ...

The Cherokee writings in northern Alabama have been transcribed after more then 150 years
Manitou Cave holds history that many learn about early on in life. We learn about the Trail of Tears and that President Andrew Jackson forced the ...

Alabama's Elephant Mascot: The History of Big Al's Birth in Tuscaloosa
Only University of Alabama Crimson Tide football super fans know everything about their program's history. They damn sure know how legendary ...


On this day in Alabama history: Boaz Seminary opened
In December 1898, the Alabama Conference of the Methodist Episcopal Church took control of a college preparatory high school in Boaz, and on July ...

'Sword of Trust' review: In an Alabama pawn shop, a Civil War artifact attracts a confederacy of ...
A letter from Cynthia's grandfather explains the historical significance of the sword. It's surviving proof of the secret history of the Confederacy winning ...




Alabama NewsCenter
Prieur Jay Higginbotham, who wrote books on local and world history and founded the Mobile Municipal Archives, was born in Pascagoula, ...

On this day in Alabama history: Gov. Reuben Chapman was born
At the age of 25, he traveled to Huntsville, where his older brother lived, and Alabama became home for the rest of his life. Chapman entered politics in ...

Local history and archaeology conference to begin Thursday
A conference focused on local history and archaeology will be held over the course of two days this week at the University of Alabama's Gadsden ...



TUSCALOOSA 200 MOMENT IN HISTORY: Central Foundry reopens before Pearl Harbor
TUSCALOOSA 200 MOMENT IN HISTORY: Central Foundry reopens .... When demand dropped, a University of Alabama professor suggested that ...


Why there aren't concerts in Bryant-Denny Stadium, the brief history of shows there
The 101,821-seat home of Alabama football has thin history of hosting concerts and a list of hurdles explain why there aren't plans for one anytime ...


Ashley Chestnut getting students up to speed with history in 'Down in the Ham' series
She moved to Alabama to attend ministerial school and after completing ... The notion to write a book about Birmingham, combined with a coloring ...


TUSCALOOSA 200 MOMENT IN HISTORY: Millions of volts
Born in the Jemison Mansion, Robert Van de Graaff earned two degrees from the University of Alabamabefore going to Oxford as a Rhodes Scholar.

Cotton, once king in Alabama, still rules on these family farms
Of course, any discussion of Alabama's early history of cotton production must include slavery. Planting, cultivating and picking cotton on a large scale ...


Photographic historian's work preserves moments from AL'searly history
Her book Shot in Alabama showcases Alabama's photographic history from 1839 to 1941. She hopes folks who flip through these pages get a glimpse ...


On this day in Alabama history: Olympic star died
Olympic Hall of Fame member Alice Coachman died on July 14, 2014, in her hometown of Albany, Georgia. She moved to Tuskegee at the age of 16, ...




... the last remaining courthouse Sacred Harp gathering in Alabama. ... are Saturday, July 13, 2019 at 11 a.m. at Bethsadia Baptist Church Cemetery.






Tuesday, July 16, 2019

Birmingham Photo of the Day (71): Fannie Flagg & a Model



Wandering around the Alabama Mosaic database recently, I came across the 1966 photo below showing actress, comedian and author Fannie Flagg with a model of Birmingham. The photo was taken at the city's airport. 


By 1966 the Birmingham native was well-known locally and beginning her climb to much wider fame. She had appeared in productions at the Town and Gown Theatre before graduating from Ramsay High School. She entered the Miss Alabama pageant seven times and appeared in local commercials. By the early 1960's she was co-host of a morning show on WBRC-TV. 

In 1964 she stepped onto the national stage as a staff writer for Allen Funt's popular Candid Camera program. The following year she moved to New York and developed a stand-up comedy act. Flagg soon started appearing  as a regular on television game shows like The Match Game and Password. She recorded two comedy albums as well. 

Her greatest success came after this photograph. She appeared in her first movie role in 1970 in Bob Rafelson's Five Easy Pieces with Jack Nicholson. Her first novel Coming Attractions was published in 1981. Since then she has concentrated on her writing career. 

The current two-story terminal at the Birmingham airport opened in 1973, so this photo was taken at the previous two-story terminal which opened in 1962. The facility was known as Birmingham Municipal Airport until the name was changed in October 1993 to Birmingham International Airport. 

Various questions arise from this photograph. I guess Flagg was making a hometown visit after moving to the Big Apple. Who constructed the model? Why was it in the airport? Perhaps to introduce people new to the city to Birmingham? And what happened to the model??? 





"Fannie Flagg looking at a model of the city of Birmingham at the Birmingham Municipal Airport." 

June 23, 1966

Source: Alabama Dept of Archives & History Digital Collections





Birmingham Municipal Airport terminal which opened in 1962. When the 1973 terminal opened this one became office space until demolished in 2011. 

Source: BhamWiki

Friday, July 12, 2019

A Visit to Gaineswood, Part 2

This post is part 2 in a description of our trip last year through Demopolis to see the Gaineswood mansion. In part 1 I included some history of the home and its inhabitants. This post looks mostly at the interior; further comments are below.




I think the cabin in view beyond the nicely kept grounds housed the cook and is one of the only remaining outbuildings from the antebellum period. 



Here is the view as you come into Gaineswood from the public entrance at what seems to be the back of the house, but I think was actually the front entrance originally. In the lower right can be seen the wooden pineapple carved by Whitfield that once topped the gazebo on the property. 

On the left and right foreground are two rooms now used as a small gift shop and a museum about Gaineswood. Originally they were reception rooms for arriving visitors, one for the ladies and one for the gentlemen. 



The furnishings and decor in every room on the first floor are pretty impressive.




You can see the elaborate decorations on the domes in this photo. A more detailed description is below. 



Unfortunately, I did not make a note of people in the portraits at Gaineswood and have been unable to find that information online. Anyone who knows is welcome to enlighten me in the comments!



A small part of the overhead dome is visible in this dining room photo.





In the 1930's Gaineswood was documented by the Historic American Buildings Survey. The Alabama Dept. of Archives and History page for this photo identifies the space as the dining room, but I think it's actually the drawing room/parlor/library seen in the other HABS photo below. 

"The ceiling is one of two identical domes. The plaster ornamentation of the domes is beautiful in its artistry of Greek honesuckles, encased in flowing scrolls, each of which each is crested with a tiny flower. Artistically spaced windows are separated by miniature columns and from the top of the cupolas, chandeliers hang on long chains. The rich red carpeting, elegant gold drapes and gleaming furniture further enhance the beauty of this room." 


Source: Alabama Dept. of Archives & History Digital Collections





That wallpaper! 




Here is one of two marble fireplaces in the house. The painting is by Nathan Whitfield and titled "The Burning of Eliza Battle". Whitfield witnessed the steamboat disaster on March 1, 1858, when the boat was destroyed by fire on the Tombigbee River. More than 30 people died, and the event has entered Alabama folklore, most notably in "The Phantom Steamboat of the Tombigee" tale in Kathryn Tucker Windham's 13 Alabama Ghosts and Jeffry






One of the Venetian glass transoms with classical scenes created by John Gibson, who also designed stained glass for the U.S. Capitol. 






This desk and books belonged to Dr. Bryan Watkins Whitfield [1828-1908], the son of Nathan Whitfield who designed and developed Gaineswood. The son did order fireplace mantels from Philadelphia and create the circular observation deck on the house. 

Watkins graduated from medical school at the University of Pennsylvania in 1853. During the antebellum period and for many years afterward, southerners who could afford it went north for medical training or even to Europe since medical schools in the south were inadequate. Watkins is buried in Riverside Cemetery in Demopolis. Bryan W. Whitfield Hospital opened in Demopolis in 1953.







Some more of the elaborate woodwork throughout the house



The house has plenty of columns indoors as well!



The other marble fireplace can be seen in this photo. 





"Twenty by thirty feet, the room is gorgeously furnished, and at either end has identical gray marble mantels with wreathed rosettes decorating the head slabs. The ceiling of this room is fashioned in protruding sections of crossbeams, all highly embossed with plaster designs. The interlacing of the beams form deep coffers; each of which is studded with dainty rosettes."

Source: Alabama Dept. of Archives & History Digital Collections









In the first floor master bedroom is the bed brought from North Carolina












One of the upstairs bedrooms where the decor is much more utilitarian! Of course, only the family or guests staying overnight would see these rooms. 










On the left is the gazebo once topped by the carved wooden pineapple.



The Wikipedia entry on Gaineswood notes, "The exterior features the use of eighteen fluted Doric columns and fourteen plain square pillars to support the three porches, the main portico, and the porte-cochère. The assorted porches surround most of three sides of the structure." 





A hawk oversaw our departure from his perch on the observation ring, where in its prime Gaineswood's residents could view their vast property. 




Tuesday, July 9, 2019

A Visit to Gaineswood, Part 1

In March 2018 we visited our son Amos in New Orleans. On the way back we spent the night in Demopolis; I've  written about that stay here. We passed through Eutaw on the way home the next day, and a bit about that town is here.

We stayed in Demopolis to see the spectacular mansion of Gaineswood, and now I'm posting a two-part piece devoted just to that former home and now museum. If you have never been to Gaineswood, it's well worth a visit if you get to that part of the state. Actually, it's worth a special trip just to see it. Demopolis also has other historic structures to see including house museums Bluff Hall and Lyon Hall.  

We arrived on a weekday morning at about 10 AM when the home opened to the public. The lady who turned out to be our guide was picking up some trash near the gate where we parked. After some small talk we started walking toward the public entrance at the rear and began our tour.

A 1973 statement about Gaineswood from the National Park Service's National Historic Landmarks Program gives a brief summation of its architectural gems:

Begun in 1842 and modified in stages over eighteen years (1843-1861), Gaineswood is one of America's most unusual neoclassical Greek Revival-style mansions. Amateur architect and cotton planter Nathan Bryan Whitfield refined his mansion with the help of skilled African-American craftsmen as the stylistic preference in America shifted from Greek Revival to Italianate. Gaineswood's sprawling, asymmetrical floor plan and lavish decorative detail brilliantly reflect that shift. The drawing room (ballroom) is highlighted by vis-à-vis mirrors, fluted Corinthian columns and pilasters, and a coffered ceiling with decoative Italianate plasterwork. The parlor and dining room have domed ceilings with windows added in 1860 to illuminate the home. Gaineswood is one of the few Greek Revivial homes that has Doric, Ionic, and Corinthian columns.

Some of that interior "lavish decorative detail" can be seen in photographs in the next part of this post. 


Whitfield came from North Carolina in 1842 and bought 480 acres in Marengo County from George Strother Gaines, a federal trade agent to Native Americans in Alabama and Mississippi. Gaines had built a cabin on the site in the 1820's. He also met on his land with Pushmataha, chief of the Choctaw Nation, to negotiate their removal to Indian Territory

Whitfield originally named his estate Marlmont, but renamed it after Gaines in 1856. Family tradition says the mansion was built around Gaines' original dog-trot log cabin. Between 1845 and 1863 slaves also dug a mile long canal to redirect rainwater and prevent flooding of the plantation. 

In 1861, the year Gaineswood was finally finished, Whitfield sold it to his son Bryan, a physician. The main exterior construction of stucco over brick and the fine interior woodwork were completed by both slaves and free African-Americans and travelling artisans. John Gibson, a Scottish-born craftsman, created the glass transoms depicting classical scenes. By that time the estate comprised 7200 acres, 235 slaves and produced hundreds of bales of cotton annually. Whitfield designed the home himself, getting many ideas from architectural books of the time. 

The home remained in the family until 1923 and in private hands until 1967, when it was sold to the state. Gaineswood opened to the public in 1975. The current furnishings are original to the house or appropriate to the period; many were donated by the Whitfield family. The Alabama Historical Commission currently manages the five-acre property.

Further comments are below some of the photos here. 
All photos are mine unless otherwise indicated.

This article examines the Whitfield family's move from North Carolina to Alabama:

Barrett, Kayla. "The Whitfields Move to Alabama: A Case Study in Westward Migration, 1825-1835." Alabama Review 48 (April 1995): 96-113

Part 2 of this post is here.






This view is what you see as you approach the house from the parking area. Some of that "lavish decorative detail" is already visible. 























Across the road from Gaineswood is this view. The area where the estate's pond with an island was located is now the campus of Demopolis Middle School. The pond was filled as much of the property was sold over the years. 

See the postcard below for a view in 1860. 





This 1938 pamphlet was written by Nathan Whitfield's grandson. He notes that the original kitchen "with its great fireplace" was located some sixty feet from the house. The acquisition of a stove led to placement of the kitchen in the basement, "and then it was found that without very serious objection a kitchen might be placed on the first floor level, and so become truly a part of the machinery of living."

Whitfield also remembers the store rooms and pantries full of good food such as "boxes of raisins from Spain" and the casks of brandied peaches and apples kept in the "still house."  













Gaineswood in the 1930's 

Source: Alabama Dept of Archives & History Digital Collections




A view of Gaineswood and the gazebo taken in 1939 by Francis B. Johnston as part of the Carnegie Survey of the Architecture of the South. You can see more of Johnston's exterior and interior photos of the house here





A 1910 postcard from the Eagle Post Card View Company taken from an 1860  engraving by John Sartain. That engraving is included in the Whitfield pamphlet. 

Source: Alabama Dept. of Archives & History Digital Collections




Nathan Bryan Whitfield [1799-1868]

From an engraving by John Sartain

Source: Wikipedia