So here we go....
Alabama Yesterdays: Random wanderings through Alabama history
Friday, February 10, 2017
Medical History in Birmingham: The List
I recently worked on a blog item fitting this general topic, and it dawned on me how many such posts I've done since I start this blog in March 2014. I've also published relevant items in other venues. I decided to bring them together in a single posting with links; perhaps I'll be doing something similar in other subjects. I'll try to keep this one updated as well.
So here we go....
So here we go....
Tuesday, February 7, 2017
A Plaque in UAB's Jefferson Tower
I've written a number of blog posts and other items devoted to some aspect of medical history in Birmingham, and this one is another in that series.
Past the main entrance of the Jefferson Tower building on the UAB campus, near the public elevators, is the plaque you see below. Let's investigate.
In the 1930's the growing number of indigent patients in Jefferson County began to overwhelm the facilities at Hillman Hospital. The county and Birmingham agreed on a joint funding mechanism in 1939. The year before the U.S. Public Works Administration offered two million dollars in a grant and loan to fund the building of a new hospital that would charge patients based on their ability to pay.
The new facility was a modern one, sixteen stories that could hold almost 600 patients. The maternity ward occupied the entire fifth floor, and eight operating rooms filled the seventh floor. The top two floors provided living space for numerous nurses and interns.
The first patients were accepted at Jefferson-Hillman Hospital in February 1941. In December 1944 the county gave the hospital to the University of Alabama. This donation was part of the two-year Medical College of Alabama's move from Tuscaloosa to Birmingham to become a four-year school. Students entered the first class in October 1945.
The building was renamed Jefferson Tower in 1979. UAB's new hospital building, the North Pavilion, opened in late 2004 and most clinical services were moved out of Jefferson Tower.
My original purpose for this blog post involved the local names on this plaque. I've spent some time researching all of them, but found nothing much online about the six commissioners listed. The same goes for half the men listed on the Building Committee. However, Cooper Green was a well-known businessman and politician and the namesake for Cooper Green Mercy Hospital. Dr. Harry L. Jackson was apparently a prominent local surgeon.
James S. McLester, MD, had served on the faculty of the Birmingham Medical College from 1902 until 1915 when the school closed. He was Professor of Medicine at the Tuscaloosa school and then at the new one in Birmingham from 1920 until 1945. He was head of the Hillman Hospital medical staff. An expert on nutrition, McLester published two books on the topic. He also served as President of the American Medical Association in 1934.
The Birmingham Public Library has this information about the architect in it's introduction to the collection of his firm's papers:
"Charles H. McCauley (1893 – 1970) was born in Chicago and studied architecture at the University of Illinois. McCauley practiced architecture in Chicago before moving to Birmingham in 1919 where he worked for William Leslie Welton before opening his own practice in 1925. McCauley and his firm, Charles H. McCauley Associates, designed many important buildings in Birmingham including Temple Beth-El (1926), Medical Arts Building (1931), Birmingham City Hall (1950), Boutwell Auditorium Entry Pavilion (1957), U.S. Post Office and Vehicle Maintenance Facility (1968), and First National – Southern Natural (1968-1971, with Welton Becket & Associates). At the time of McCauley’s death in 1970, Charles H. McCauley Associates was one of the largest architectural practices in the South. "
These individuals, agencies and companies created an important part of what became the medical and university behemoth UAB is today.
Cooper Green in 1947
Source: BhamWiki
Past the main entrance of the Jefferson Tower building on the UAB campus, near the public elevators, is the plaque you see below. Let's investigate.
In the 1930's the growing number of indigent patients in Jefferson County began to overwhelm the facilities at Hillman Hospital. The county and Birmingham agreed on a joint funding mechanism in 1939. The year before the U.S. Public Works Administration offered two million dollars in a grant and loan to fund the building of a new hospital that would charge patients based on their ability to pay.
The new facility was a modern one, sixteen stories that could hold almost 600 patients. The maternity ward occupied the entire fifth floor, and eight operating rooms filled the seventh floor. The top two floors provided living space for numerous nurses and interns.
The first patients were accepted at Jefferson-Hillman Hospital in February 1941. In December 1944 the county gave the hospital to the University of Alabama. This donation was part of the two-year Medical College of Alabama's move from Tuscaloosa to Birmingham to become a four-year school. Students entered the first class in October 1945.
The building was renamed Jefferson Tower in 1979. UAB's new hospital building, the North Pavilion, opened in late 2004 and most clinical services were moved out of Jefferson Tower.
My original purpose for this blog post involved the local names on this plaque. I've spent some time researching all of them, but found nothing much online about the six commissioners listed. The same goes for half the men listed on the Building Committee. However, Cooper Green was a well-known businessman and politician and the namesake for Cooper Green Mercy Hospital. Dr. Harry L. Jackson was apparently a prominent local surgeon.
James S. McLester, MD, had served on the faculty of the Birmingham Medical College from 1902 until 1915 when the school closed. He was Professor of Medicine at the Tuscaloosa school and then at the new one in Birmingham from 1920 until 1945. He was head of the Hillman Hospital medical staff. An expert on nutrition, McLester published two books on the topic. He also served as President of the American Medical Association in 1934.
The Birmingham Public Library has this information about the architect in it's introduction to the collection of his firm's papers:
"Charles H. McCauley (1893 – 1970) was born in Chicago and studied architecture at the University of Illinois. McCauley practiced architecture in Chicago before moving to Birmingham in 1919 where he worked for William Leslie Welton before opening his own practice in 1925. McCauley and his firm, Charles H. McCauley Associates, designed many important buildings in Birmingham including Temple Beth-El (1926), Medical Arts Building (1931), Birmingham City Hall (1950), Boutwell Auditorium Entry Pavilion (1957), U.S. Post Office and Vehicle Maintenance Facility (1968), and First National – Southern Natural (1968-1971, with Welton Becket & Associates). At the time of McCauley’s death in 1970, Charles H. McCauley Associates was one of the largest architectural practices in the South. "
These individuals, agencies and companies created an important part of what became the medical and university behemoth UAB is today.
Cooper Green in 1947
Source: BhamWiki
James S. McLester, MD
Source: UAB Digital Collections
1939 architect's rendering of Jefferson Hospital
Source: BhamWiki
1945 aerial view of Jefferson Tower. The Kracke Building is in the lower right and Hillman Hospital on the upper right of the block. I've written a blog post about "Birmingham's Heaviest Medical Block."
Source: BhamWiki
Thursday, February 2, 2017
J.C. Lincoln's Sunny South Minstrels in Alabama in 1936
First appearing in the 1830's, minstrel shows are perhaps America's oldest original contribution to theatrical popular entertainment, but they are a very problematic one. The productions included comedy, dancing and music and initially featured white performers in "blackface". The material made extensive use of black people as objects of hilarity, grotesque stereotypes and ridicule. Troupes with black actors and performers began to appear as early as the 1840's. Minstrel shows featured numerous stock characters and a three-part structure with various characters and acts in each part.
Despite some controversy, minstrel shows were wildly popular across America until the late 19th century when vaudeville, musical comedies and other entertainments began to erode their audience, especially in the North. Minstrel shows managed to continue finding audiences in smaller towns of the South and Midwest into the 1930's. One or two companies toured very rural areas into the 1950's.
Despite their controversial nature, minstrel shows have had tremendous influence on popular music and comedy that continues today. The quick gags and sketches of much modern comedy are descendants. Many influential black performers such as W.C. Handy, Ma Rainey, and Bessie Smith worked in minstrel troupes. Many films such as The Jazz Singer [1927] and Minstrel Man [1944] contain recreated minstrel routines. The Wikipedia article linked above has an extensive history of the shows and long lists of the films and further reading.
As far as I know, the history of minstrel shows in Alabama remains to be written. However, during his visit to Alabama in 1935 and 1936 famed photographer Walker Evans took several photographs that tell us something about these travelling shows in the state in the 1930's anyway.
The first two photographs contain advertisements for "J.C. Lincoln's Sunny South Minstrels". According to a comment on the Shorpy site, a man named Harry Palmer organized the show and first put it on tour "under canvas" in 1927. Several trucks were probably required to carry the tent and other equipment. According to one source, the group was also known as "J.C. Lincoln's Mighty Minstrels".
What could the audience expect at the Sunny South show? An advertisement recently for sale in a Hillcrest Books catalog gives us some specific information: "Featuring the Famous New Orleans Brown Skin Models. See ALVINA the Fan Dancer. Free Street Parade. World’s Greatest Mammoth Minstrel Review. Sweet Singers, Fast Dancers, Funny Comedians."
The information given at Shorpy indicates the show last toured from Dothan in 1934. If that's the case, the ads in the first two photos below were a year or two old when Evans took them. I have no idea who J.C. Lincoln was--perhaps a master of ceremonies for the show.
The third photo here features an advertisement for the "Silas Green Show", known in early decades as "Silas Green from New Orleans". Organized in 1904, the production toured the South in various forms until 1957. Time magazine gave it a review in its April 29, 1940 issue. "Silas Green" combined elements of the minstrel shows with the musical and comedy revues of vaudeville.
The show was originally written by vaudeville performer Salem Tutt Whitney, and sold to the only African-American circus owner in the U.S., Ephraim Williams. Williams developed and expanded the show and toured extensively with a tent that seated 1400 patrons. In the early 1920's Williams sold half interest in the production to Charles Collier. After Williams' death in the mid-1930's, Collier owned the show until it ceased touring.
The final two photographs show another ad for each show. Comments continue below.
Despite some controversy, minstrel shows were wildly popular across America until the late 19th century when vaudeville, musical comedies and other entertainments began to erode their audience, especially in the North. Minstrel shows managed to continue finding audiences in smaller towns of the South and Midwest into the 1930's. One or two companies toured very rural areas into the 1950's.
Despite their controversial nature, minstrel shows have had tremendous influence on popular music and comedy that continues today. The quick gags and sketches of much modern comedy are descendants. Many influential black performers such as W.C. Handy, Ma Rainey, and Bessie Smith worked in minstrel troupes. Many films such as The Jazz Singer [1927] and Minstrel Man [1944] contain recreated minstrel routines. The Wikipedia article linked above has an extensive history of the shows and long lists of the films and further reading.
As far as I know, the history of minstrel shows in Alabama remains to be written. However, during his visit to Alabama in 1935 and 1936 famed photographer Walker Evans took several photographs that tell us something about these travelling shows in the state in the 1930's anyway.
The first two photographs contain advertisements for "J.C. Lincoln's Sunny South Minstrels". According to a comment on the Shorpy site, a man named Harry Palmer organized the show and first put it on tour "under canvas" in 1927. Several trucks were probably required to carry the tent and other equipment. According to one source, the group was also known as "J.C. Lincoln's Mighty Minstrels".
What could the audience expect at the Sunny South show? An advertisement recently for sale in a Hillcrest Books catalog gives us some specific information: "Featuring the Famous New Orleans Brown Skin Models. See ALVINA the Fan Dancer. Free Street Parade. World’s Greatest Mammoth Minstrel Review. Sweet Singers, Fast Dancers, Funny Comedians."
The information given at Shorpy indicates the show last toured from Dothan in 1934. If that's the case, the ads in the first two photos below were a year or two old when Evans took them. I have no idea who J.C. Lincoln was--perhaps a master of ceremonies for the show.
The third photo here features an advertisement for the "Silas Green Show", known in early decades as "Silas Green from New Orleans". Organized in 1904, the production toured the South in various forms until 1957. Time magazine gave it a review in its April 29, 1940 issue. "Silas Green" combined elements of the minstrel shows with the musical and comedy revues of vaudeville.
The show was originally written by vaudeville performer Salem Tutt Whitney, and sold to the only African-American circus owner in the U.S., Ephraim Williams. Williams developed and expanded the show and toured extensively with a tent that seated 1400 patrons. In the early 1920's Williams sold half interest in the production to Charles Collier. After Williams' death in the mid-1930's, Collier owned the show until it ceased touring.
The final two photographs show another ad for each show. Comments continue below.
Photograph taken by Walker Evans in August 1936. You can view it in ultra large format at the wonderful Shorpy site. This photo may have been taken in Selma, although Evans visited other places, such as Marion, that same month.
Source: Library of Congress
Taken by Walker Evans in Selma in December 1935. This poster tells us the J.C. Lincoln troupe appeared on October 28 and adult admission was a quarter.
Source: Photogrammar at Yale University
That day Evans also photographed the shop next door with a poster advertising the Silas Green Show, which had appeared in town on Thursday, October 31--although not necessarily in 1935! That poster looks pretty weathered.
Source: Photogrammar at Yale University
These two photographs are identified on the Library of Congress site as being taken by Evans in January 1936. No town location is given. Further research would be required to determine just when and where Evans took these various photos.
Source: Library of Congress
Buck Jones was a major star of mostly western movies of the period. This film had been released in July 1935.
Source: Library of Congress
Source: Photogrammar at Yale University
That day Evans also photographed the shop next door with a poster advertising the Silas Green Show, which had appeared in town on Thursday, October 31--although not necessarily in 1935! That poster looks pretty weathered.
Source: Photogrammar at Yale University
These two photographs are identified on the Library of Congress site as being taken by Evans in January 1936. No town location is given. Further research would be required to determine just when and where Evans took these various photos.
Source: Library of Congress
Buck Jones was a major star of mostly western movies of the period. This film had been released in July 1935.
Source: Library of Congress
Monday, January 30, 2017
"Theatre Guild on the Air" in Birmingham in 1947
In a couple of recent posts on this blog I've covered two world movie premiers that took place in Birmingham in 1947 and 1952. I've also done a blog post on Birmingham native and film star Mary Anderson. As noted in the article below, Anderson had returned to Birmingham in November 1947 for the world premier of her film Whispering City and a public appearance at Pizitz. The film premier benefited the Crippled Children's Clinic and was held at the Empire Theater on Third Avenue North.
I noticed some other interesting activities in this piece as well. Anderson had accepted a role in an episode of the "Theatre Guild on the Air" radio program to be broadcast from the city's Municipal Auditorium on November 23. She and other celebrities, including her co-star in that episode, Robert Mitchum, also accepted an invitation to watch the Crippled Children's Clinic football game played at Legion Field on Thanksgiving Day. Others who watched included sports broadcaster Harry Wismer and opera star Helen Jepson. Anderson then convinced her studio bosses to also have her new film's world premier in Birmingham.
Let's take a look at the football game and the radio production.
The web site of the Alabama High School Football Historical Society has a history of the "Crippled Children's Classic" game played annually at Legion Field for many years. The game started in 1935 as a contest between local college freshman teams, but by 1943 local high school teams played in the game. In 1947 Ramsey defeated Woodlawn 25-0. All proceeds went to support the clinic.
Founded in New York City in 1918, the Theatre Guild was an organization dedicated to the production of non-commercial plays. The Guild mounted over 200 productions and was a major player on Broadway into the 1970's. The group first tried radio in 1943-4, and on September 9, 1945 launched "Theatre Guild on the Air". The series continued on radio until June, 1953, when it moved to television. The radio version featured many famous plays and actors during its run.
The hour-long episode broadcast in Birmingham that November evening was no. 94, "The Straw" written in 1922 by Eugene O'Neill. The story follows two characters during their stay at a tuberculosis sanitarium.
Robert Mitchum returned to Alabama in August 1987 for a few days of filming aboard the USS Alabama for the TV miniseries War and Remembrance.
According to a log of episodes, this one was Mitchum's only appearance in Theatre Guild on the Air. Anderson appeared in at least two other productions. Huntsville native Tallulah Bankhead also appeared in an episode broadcast in 1952.
I noticed some other interesting activities in this piece as well. Anderson had accepted a role in an episode of the "Theatre Guild on the Air" radio program to be broadcast from the city's Municipal Auditorium on November 23. She and other celebrities, including her co-star in that episode, Robert Mitchum, also accepted an invitation to watch the Crippled Children's Clinic football game played at Legion Field on Thanksgiving Day. Others who watched included sports broadcaster Harry Wismer and opera star Helen Jepson. Anderson then convinced her studio bosses to also have her new film's world premier in Birmingham.
Let's take a look at the football game and the radio production.
The web site of the Alabama High School Football Historical Society has a history of the "Crippled Children's Classic" game played annually at Legion Field for many years. The game started in 1935 as a contest between local college freshman teams, but by 1943 local high school teams played in the game. In 1947 Ramsey defeated Woodlawn 25-0. All proceeds went to support the clinic.
Founded in New York City in 1918, the Theatre Guild was an organization dedicated to the production of non-commercial plays. The Guild mounted over 200 productions and was a major player on Broadway into the 1970's. The group first tried radio in 1943-4, and on September 9, 1945 launched "Theatre Guild on the Air". The series continued on radio until June, 1953, when it moved to television. The radio version featured many famous plays and actors during its run.
The hour-long episode broadcast in Birmingham that November evening was no. 94, "The Straw" written in 1922 by Eugene O'Neill. The story follows two characters during their stay at a tuberculosis sanitarium.
Robert Mitchum returned to Alabama in August 1987 for a few days of filming aboard the USS Alabama for the TV miniseries War and Remembrance.
According to a log of episodes, this one was Mitchum's only appearance in Theatre Guild on the Air. Anderson appeared in at least two other productions. Huntsville native Tallulah Bankhead also appeared in an episode broadcast in 1952.
Birmingham News 9 November 1947
Source: Birmingham Public Library Digital Collections
Robert Mitchum in July 1949
Source: Wikipedia
Source: Listal
Friday, January 27, 2017
Another Lunch at the Helena Depot
Eating a good meal in the midst of some history is always fun. Recently Dianne and I had lunch at The Depot Deli & Grill in Helena. We've eaten there several times and always enjoyed it, and this lunch was no exception. Since The Depot is an historic location, and Helena has some interesting history, I thought I would post a little bit about both.
Helena began as a community known as Cove in the mid-1840's and then renamed Hillsboro in 1856 when a rolling mill was built in the area. That mill provided arms for Confederate forces during the Civil War. Railroads pushed into the area during the Civil War and Reconstruction, and the town was renamed again after an engineer's sweetheart.
The town boomed in the late 19th and early 20th centuries. Steel mills, a cotton gin, and coal mines all contributed to the growth that also included hotels and many stores and residences. Helena survived a devastating fire in 1895, but in 1920 decline began. The coal mines closed and the steel mill moved. The Great Depression hit hard and in 1933 a tornado killed 14 people and destroyed over 100 homes. Helena remained a small community in rural Shelby County until late in the 20th century, when suburban growth south of Birmingham exploded.
Several historical structures remain, and the entire downtown, known as Old Town Helena, is a pleasant place with various shops and restaurants. Read some more below the photos.
You can find many historical photos of Helena in a book by Ken Penhale and Martin Everse, Helena, Alabama [Images of America Series, Arcadia Press, 1998].
UPDATE 19 April 2019
You can read an article about the 20th anniversary of the restaurant here.
Helena began as a community known as Cove in the mid-1840's and then renamed Hillsboro in 1856 when a rolling mill was built in the area. That mill provided arms for Confederate forces during the Civil War. Railroads pushed into the area during the Civil War and Reconstruction, and the town was renamed again after an engineer's sweetheart.
The town boomed in the late 19th and early 20th centuries. Steel mills, a cotton gin, and coal mines all contributed to the growth that also included hotels and many stores and residences. Helena survived a devastating fire in 1895, but in 1920 decline began. The coal mines closed and the steel mill moved. The Great Depression hit hard and in 1933 a tornado killed 14 people and destroyed over 100 homes. Helena remained a small community in rural Shelby County until late in the 20th century, when suburban growth south of Birmingham exploded.
Several historical structures remain, and the entire downtown, known as Old Town Helena, is a pleasant place with various shops and restaurants. Read some more below the photos.
You can find many historical photos of Helena in a book by Ken Penhale and Martin Everse, Helena, Alabama [Images of America Series, Arcadia Press, 1998].
UPDATE 19 April 2019
You can read an article about the 20th anniversary of the restaurant here.
The Depot is a modest looking place, but culinary delights can be found within.
There is a definite railroad theme to the place.
As this large sign near the entrance notes, the Depot building has been moved twice. The second move brought it to its current location in 1999, when the eatery opened. This structure was the railroad depot and freight house from 1872 until 1905.
The interior retains the look and feel of a waiting room from another time. Part of the decor includes dollar bills; you can see many of them above the counter.
Hey, kids! Know what this item is? Many great works of literature were pounded out on similar machines. Lots of other stuff, too.
Here we have an old cash register and various trinkets and an old photo.
This caboose greets you from across the street as you enter and leave the Depot. Railroads lost some of their magic when they stopped using these.
There are some pleasant views from the patio.
This plaque is just outside the Depot and across the street next to the caboose.
Just down the road from the Depot is the Penhale Museum, devoted to history of the area. The Museum, which celebrated its fifth anniversary last year, is open most Saturdays, but call ahead to make sure.
Tuesday, January 24, 2017
Film Actresses from Alabama before 1960 (6): Lottice Howell
Lottice Howell is a bit different from the other actresses I've covered so far in this series. Her film career was much less substantial, and she returned to Alabama to live for the last several decades of her life. Let's investigate.
Howell was born in Kentucky on October 14, 1897 [some sources say November 14]; various sources list the place as Bowling Green. Her parents were John Eli and Clara Howell. By the time the 1910 U.S. Census was taken, she and her family were living in Moundville. Howell's father reported his occupation as operator of a lumber mill. Lottice had an older brother Ottis and two younger brothers, Harry and Ely. She is listed in that census as "Lottis Howel." The family lived on Market Street in Moundville.
After graduating from high school in Moundville around 1913, she entered Huntingdon College. That school, founded in Tuskegee in 1856, had just relocated to its current Montgomery campus in 1910. Howell graduated with a degree in music and remained at the school as an instructor until she had saved enough money to move to New York City in 1918 to study under voice instructor Sergei Klibanski.
We can assume a couple of things from this narrative of Howell's life so far. Her family must have been fairly well off if they could afford to send the one daughter out of four children to a private college. And Lottice's soprano voice must have been good enough for her to have the confidence to move to New York to study.
When her money ran out, Howell returned to Alabama and taught school long enough to save funds for a return. By 1920 she had joined the cast of Irving Berlin's "Music Box Revue", and soon appeared in shows alongside Fannie Brice and the Marx Brothers. She played a role in a production of Verdi's opera "Rigoletto", and then the lead in Mozart's "Impressario". She appeared with Charlie Chaplin in an RKO vaudeville show. In 1926 she was in the play "Deep River" at the Plymouth Theater on Broadway, and after that in the musical comedy "My Maryland" produced by Sigmund Romberg. In 1927 she acted and sang in the musical comedy "Bye, Bye Bonnie".
After such success in New York, Hollywood began to notice. She accepted an offer from MGM and moved to the west coast in October 1929. An early film role is apparently an uncredited one as "Vocalist" in Estrellados with Buster Keaton. Perhaps she was able to mingle with some of the other stars of the day in the film, including Jackie Coogan, Robert Montgomery, Fred Niblo, Anita Page and Lionel Barrymore. The film was released in July 1930.
A few months previously Howell made the film with her biggest role, In Gay Madrid. Heartthrob Ramon Navarro was the male lead, but as the poster below indicates, Howell got equal billing with the other female star, Dorothy Jordan. Howell plays Goyita, the former love of Navarro's character. Released in May 1930, the musical comedy is set in Spain and based on a novel by Alejandro Perez Lugin.
That film is Howell's only major appearance in a full-length Hollywood production. She did appear in some shorts, such as 1930's The Flower Garden and the 1933 Nertsery Rhymes noted below. Another Buster Keaton film, the 1930 Free and Easy, featured Lottice in a musical number, "It Must Be You," with Robert Montgomery and Anita Page. You can hear her sing in a video on YouTube.
MGM apparently considered her an up and coming star for some period; her dressing room on the studio lot was between those of Greta Garbo and Joan Crawford. Perhaps they did not know what to do with a woman who had both a wonderful soprano voice and smoldering beauty.
Although MGM refused to loan her to other studios, they did allow her to continue her singing career when not required to be on set. She had a regular program on NBC Radio and toured widely, including an appearance at the London Palladium. The 1940 U.S. Census lists her as living in a house with two other women at 28 East 56th Street in New York City.
When World War II, started, Howell toured the South and gave half the proceeds to the Red Cross. Her father had died in the mid-1930's and by 1942 her mother was too elderly to run the family cattle farm in Hale County. Howell moved home, kept the farm and continued her musical activities locally until her death on October 24, 1982. She died in Tuscaloosa's Druid City Hospital and as noted below is buried in Moundville. She has been inducted into the Alabama Women's Hall of Fame.
Howell was born in Kentucky on October 14, 1897 [some sources say November 14]; various sources list the place as Bowling Green. Her parents were John Eli and Clara Howell. By the time the 1910 U.S. Census was taken, she and her family were living in Moundville. Howell's father reported his occupation as operator of a lumber mill. Lottice had an older brother Ottis and two younger brothers, Harry and Ely. She is listed in that census as "Lottis Howel." The family lived on Market Street in Moundville.
After graduating from high school in Moundville around 1913, she entered Huntingdon College. That school, founded in Tuskegee in 1856, had just relocated to its current Montgomery campus in 1910. Howell graduated with a degree in music and remained at the school as an instructor until she had saved enough money to move to New York City in 1918 to study under voice instructor Sergei Klibanski.
We can assume a couple of things from this narrative of Howell's life so far. Her family must have been fairly well off if they could afford to send the one daughter out of four children to a private college. And Lottice's soprano voice must have been good enough for her to have the confidence to move to New York to study.
When her money ran out, Howell returned to Alabama and taught school long enough to save funds for a return. By 1920 she had joined the cast of Irving Berlin's "Music Box Revue", and soon appeared in shows alongside Fannie Brice and the Marx Brothers. She played a role in a production of Verdi's opera "Rigoletto", and then the lead in Mozart's "Impressario". She appeared with Charlie Chaplin in an RKO vaudeville show. In 1926 she was in the play "Deep River" at the Plymouth Theater on Broadway, and after that in the musical comedy "My Maryland" produced by Sigmund Romberg. In 1927 she acted and sang in the musical comedy "Bye, Bye Bonnie".
After such success in New York, Hollywood began to notice. She accepted an offer from MGM and moved to the west coast in October 1929. An early film role is apparently an uncredited one as "Vocalist" in Estrellados with Buster Keaton. Perhaps she was able to mingle with some of the other stars of the day in the film, including Jackie Coogan, Robert Montgomery, Fred Niblo, Anita Page and Lionel Barrymore. The film was released in July 1930.
A few months previously Howell made the film with her biggest role, In Gay Madrid. Heartthrob Ramon Navarro was the male lead, but as the poster below indicates, Howell got equal billing with the other female star, Dorothy Jordan. Howell plays Goyita, the former love of Navarro's character. Released in May 1930, the musical comedy is set in Spain and based on a novel by Alejandro Perez Lugin.
That film is Howell's only major appearance in a full-length Hollywood production. She did appear in some shorts, such as 1930's The Flower Garden and the 1933 Nertsery Rhymes noted below. Another Buster Keaton film, the 1930 Free and Easy, featured Lottice in a musical number, "It Must Be You," with Robert Montgomery and Anita Page. You can hear her sing in a video on YouTube.
MGM apparently considered her an up and coming star for some period; her dressing room on the studio lot was between those of Greta Garbo and Joan Crawford. Perhaps they did not know what to do with a woman who had both a wonderful soprano voice and smoldering beauty.
Although MGM refused to loan her to other studios, they did allow her to continue her singing career when not required to be on set. She had a regular program on NBC Radio and toured widely, including an appearance at the London Palladium. The 1940 U.S. Census lists her as living in a house with two other women at 28 East 56th Street in New York City.
When World War II, started, Howell toured the South and gave half the proceeds to the Red Cross. Her father had died in the mid-1930's and by 1942 her mother was too elderly to run the family cattle farm in Hale County. Howell moved home, kept the farm and continued her musical activities locally until her death on October 24, 1982. She died in Tuscaloosa's Druid City Hospital and as noted below is buried in Moundville. She has been inducted into the Alabama Women's Hall of Fame.
in
Source: BhamWiki
Source: subztv
Source: subztv
Howell in In Gay Madrid
Source: Dr. Macro's
Howell made an uncredited appearance in this 1933 short film featuring Ted Healy and His Stooges, soon to become known as the Three Stooges.
Source: Wikipedia
This compilation film was released in 1974 to celebrate MGM's 50th anniversary. Howell's musical number from Free and Easy is included.
Source: subztv
Source: IMDB
Source: Alabama Women's Hall of Fame
Howell is buried in the cemetery at the Carthage Presbyterian Church in Moundville.
Source: Find-A-Grave
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