Friday, August 4, 2017

Some More Early Alabama Songs

In June 2015 I posted an item on "Some Alabama Songs from the Early 20th Century." Since there are so many of these tunes from the late 19th and early 20th centuries, I thought I would look at a few more examples. There are plenty of others for additional posts as well. 

As I said then, "Alabama has inspired many songs over the decades by natives, residents and people who have never even visited the state. In June 2014 I wrote a post on some songs related to Birmingham. I'll be returning to this rich topic at some point in the future as well." So here I am. 

Discussions of each song are below. 






The sheet music cover of this ditty from 1901 has several things to notice. There are stalks of wheat and in the lower left corner an outline map of the state. The tune is "That Famous Alabama Song" that has been "Sung with Great Success" by Zelma Rawlston, whose photograph adorns the middle of the sheet. 

The New York Public Library entry for the song gives this summary of the lyrics:  "A man standing on a pier looks at a boat named Alabama and reminisces about his home plantation; the ship's captain offers to take him back home and he returns to his plantation." You can find the sheet music with lyrics at the NYPL site. Frederick Allen Mills [1869-1948], the New York publisher, was also a ragtime composer in the early part of the 20th century.  

Will D. Cobb [1876-1930] was a lyricist and composer born in Philadelphia. Gus Edwards [1879-1945], a native of Germany, was a songwriter who also managed vaudeville theaters. He discovered a number of performers who went on to great fame such as Eddie Cantor and Groucho Marx. Bing Crosby played Edwards in the biopic The Star Maker [1939]. The pair also collaborated on five songs for a 1902 musical version of The Wizard of Oz. Rawlston was a popular singer of the day who often performed as a male impersonator. The page on Rawlston here has a different sheet music cover for this song with Rawlston in drag. 







Source: Mississippi State University Libraries


L.W. "Libbie" Mehr was married to Charles Mehr, who in the early 1920's opened Mehr's Music Store & Novelty Shop on 5th Avenue North in Birmingham. The store sold everything from sheet music and instruments to costumes and magic paraphernalia. Libbie helped her husband in the store and also wrote songs. "Alabama Blues" was one of those tunes. On June 10, 1922, the song was recorded by Mamie Smith's Jazz Hounds in New York City.

The song was published by Williams Music House in Birmingham, then located at 1818 3rd Avenue. The photo below shows the store on 4th Avenue North, after a move, probably before 1938.













Murray in 1899



Written and first recorded in 1915, "Alabama Jubilee" is considered an American standard and has been recorded many other times since by everyone from Chet Atkins to Roy Clark, Doc Watson, Leon Redbone and Jerry Lee Lewis. You can find the sheet music and lyrics here. Issued in March of that year, the sheet music quickly sold almost a million copies. 

George L. Cobb [1886-1942] wrote the music for "Alabama Jubilee" and Jack Yellen [1892-1991] wrote the lyrics. Cobb wrote over 200 musical compositions that include ragtimes, marches and waltzes. Much more about Cobb can be found here. Yellen also wrote the lyrics to a pair of other standards, "Happy Days Are Here Again" and "Ain't She Sweet" as well as songs and screenplays for many films and Broadway musicals.

Cobb and Yellen collaborated early in both their careers, beginning in 1909. Several of their collaborations were "Dixie" songs; others included "All Aboard for Dixieland" and "Are You from Dixie?" Yellen was Jewish, born in Poland and raised in Buffalo, New York. Cobb was born in New York state. Like creators of so many Alabama-related tunes from the late 19th and early 20th centuries, Cobb and Yellen wrote in popular genres using popular images of the day and may never have visited the South, much less Alabama. 

Elizabeth Murray was a musical and comedy performer in vaudeville. Jerome H. Remick [1867-1931] was a musical publisher based in Detroit. You can watch a version here of the song recorded in September 2015 by the Skip Parsons Riverboat Jazz Band. 

A few other recordings of "Alabama Jubilee" can be found here.







The sheet music of this song gives Harry "D." Miller as the composer, but that apparently should be Harry "S." Miller. He was born in Philadelphia in 1867, but spent most of his life as a prolific composer, lyricist and playwright in Chicago and New York. Some of Miller's other songs can be found here.

I have been unable to find any information on lyricist Edith Willard. Whitney-Warner Publishing Co. was purchased by Jerome H. Remick in 1898.















The Peerless Quartet was a male singing group that started in the 1890's and toured and recorded until 1928. They recorded hundreds of songs, enjoyed years of great popularity and are considered a major influence on the barbershop quartet style of singing. A massive list of their recordings from 1908 until 1920 is available

 The Quartet recorded "In Alabama, Dear, With You" on two different dates. The Victor recording shown above was made in Camden, New Jersey, on September 27, 1915. The group had also recorded the song on August 12 for Columbia. 
You can listen to the Victor recording here.

The Peerless Quartet recorded three other songs related to Alabama: "Take Me to My Alabam'" (October 3, 1916), "Musical Sam from Alabam'" (May 29, 1917, and February 28, 1918). and "Alabama Blacksheep (Won't You Return to My Fold)" (October 18, 1923). I'll be covering those in future entries in this blog series. 







The 20sJazz.com site has a recording of this song by the great Duke Ellington and His Kentucky Club Orchestra. That site gives this information about the personnel involved:

"This recording was produced in New York City on November 29th 1926 featuring Bubber Miley and Louis Metcalf trumpets, Joe Nanton trombone, Prince Robinson clarinet & tenor sax, Otto Hardwick clarinet, soprano, alto, & baritone sax, Duke Ellington piano & director, Fred Guy banjo, Bass Edwards tuba, and Sonny Greer drums."


Ellington and this group made two recordings of the tune, one on November 29, 1926, and the second on February 28, 1927, both in New York City for different companies, Vocalion and Brunswick.


A page of the sheet music is below. Also note the "New Birmingham Breakdown" recorded in the following decade.

As best I can determine, the Spanish phrase on the record, "El Quiebro de Birmingham" would translate literally as "The Sidestep of Birmingham". I presume it was included for the recording's distribution in Latin America, but I've yet to investigate that assumption.









Recorded March 5, 1937, in NYC



Several songs have associated the concepts of a woman, Alabama, and a rose. I discuss several of them below. 




Source: University of Alabama Libraries


This song written by composer Roy L. Burtch and lyricist Claude L. Barker appeared in 1910. A bit about Burtch can be learned from this 1905 marriage notice. Burtch and his bride Harriet were living in Indianapolis in 1905. I have been unable to find out anything about either Barker, or the young lady to whom the song is dedicated, "Miss Anna Louise Crews, Monrovia, California." The song was published by the Wulschner-Stewart Company founded in Indianapolis by Emil Wulschner in 1888. His stepson Alexander Stewart soon joined the company, which lasted until 1914. 

The sheet music cover of another song with the same title from 1913 can be found here. The cover says that song is by Milton Weil and Stanley Murray and issued by Tell Taylor Music Company. Weil owned a music company in Chicago during the 1920's and 1930's. William "Tell" Taylor [1876-1937] was a vaudeville performer and composer of more than 200 songs, including "Down By the Old Mill Stream". He founded his music publishing company in Chicago in 1907. I have been unable to find any information about Stanley Murray.

Then there is "Alabama Rose" by country singer Bobby Bare.

Silas Sexton Steele, a native of Philadelphia, started off as a actor in the mid-1830's but moved into writing, eventually creating more than 40 melodramas, comic operas, and musical burlesques. Two collections of these works can be found here. Many of these featured songs, including the 1846 "Rose of Alabama" which continues  to be performed and recorded today. 

Lyrics of that 1846 tune as recorded by Bobby Horton:


Away from Mississippi's vale,
With my ol' hat there for a sail,
I crossed upon a cotton bale,
To Rose of Alabamy.

Cho: Oh brown Rosie,
Rose of Alabamy.
A sweet tobacco posey
Is my Rose of Alabamy.
A sweet tobacco posey
Is my Rose of Alabamy.

I landed on the far sand bank,
I sat upon the hollow plank,
And there I made the banjo twank,
For Rose of Alabamy.

Oh, arter d'rectly bye and bye,
The moon rose white as Rosie's eye,
Den like a young coon out so sly,
Stole Rose of Alabamy.

I said sit down just where you please.
Upon my lap she took her ease.
"It's good to go upon the knees,"
Said Rose of Alabamy.

The river rose; the cricket sang,
The lightnin' bug did flash his wing,
Den like a rope my arms I fling,
'Round Rose of Alabamy.

We hugged how long I cannot tell.
My Rosie seemed to like it well.
My banjo in the river fell.
Oh Rose of Alabamy.

Like alligator after prey,
I jump in but it float away,
And all the while it seem to say,
"Oh Rose of Alabamy."

Now every night come rain or shower,
I hunt that banjo for an hour;
And see my sweet tobacco flower,
Oh Rose of Alabamy.

Oh fare thee well you belles of Spain,
And fare thee well to Liza Jane,
Your charms will all be put to shame,
By Rose of Alabamy





I have also come across a 1910 song, "My Rose of Alabama" by a prolific composer of the day, Alfred J. Lawrance. I have yet to find more information about this song. 


Tuesday, August 1, 2017

Taylor-Tot Baby Stroller

The first two photos below feature a happy baby--me--on a sidewalk in front of a house in Gadsden sometime in 1952 or 1953. I was born in March 1952, so these might have been taken that fall or even a warm Alabama winter day. 

I showed these photos to brother Richard recently, and he wondered about the "Taylor-Tot" name on the stroller. I thought, "Ha! There's a blog post in that...." So here we are.

The Francis F. Taylor Company was founded in the Cincinnati, Ohio, area in 1921, and seems to have been incorporated in that state in December 1924. The firm moved to Frankfurt, Kentucky, in 1964; I have so far been unable to determine what happened after that date. 

In addition to strollers, the company made tricycles, doll carriages, wagons and bicycles. A stroller patent was granted in 1931. The Smithsonian Museum of American History has a catalog and price list in its collection. Based on comments here, the stroller was apparently very popular. Several can be found for sale on eBay, Etsy, etc. 

And now we have evidence of an early 1950's sighting in Alabama.  










Here's another photo of a Taylor-Tot in the early 1950's.






The house mom and dad were renting in Gadsden when the above photos were taken looked like this in 2012. 

Friday, July 28, 2017

Once a Baptist Church, Now a Fabric Store

I worked at UAB from 1983 through 2015 and often left campus going down University Boulevard and then Green Springs Highway [Alabama State Highway 149] to enter I-65. Thus I passed this building, on the right just before the U.S. Army Reserve location, many, many times. Recently I decided to investigate.

The structure, obviously built as a church, has been home to King Cotton Fabrics since 1993. Janet and Bill Haas had opened The Cloth Patch in Tuscaloosa in 1968 and then expanded to this location. You can see interior photos here. There is also a Montgomery shop; the Tuscaloosa shop is no longer open. 

The structure has a Jefferson County Historical Commission sign noting the building's original use as Green Springs Baptist Church. I presume the two dates given are the congregation's organization and then construction of this building in 1905. The interior retains the original hardwood floors. A couple of other buildings are located on the property to the right in this photo, but I have no idea about their construction. 

Below the recent photos is a 1949 newspaper article about the church and the city's right of way on Green Springs Highway. Initially paved in the 1920's, Green Springs was partially rerouted and became a divided highway in the mid-1940's. The building has been changed very little since then. The article notes that the church had recently built a basement and would like to make an addition onto the back of the church. 

I have so far been unable to find any more information about the church. Two large histories of Baptists in Alabama, A. Hamilton Reid's Baptists in Alabama [1967] and Wayne Flynt's Alabama Baptists [1998] do not mention it.

Perhaps one day I'll stop by again and make some inquiries about further details. History just pops up all over the place, doesn't it? 















Friday, July 21, 2017

Strange Things Found in Alabama Stores (1)

Going through some photographs recently I came across a couple of examples of the random things I encounter here and there in stores and other public places. When I do I take photos. I've decided to share some of them in a series of posts on this blog.

These images may strike many as just silly, and some are, but I prefer to call them strange, weird, unexpected, something different springing out of the halls of American commerce. Or whatever. Let's begin. 

Feel free to tell us about your own strange finds in the comment section!





Well, obviously I didn't photograph this 1964 grocery store promotion from the Alabama Cattlemen's Association. I found it via Alabama Mosaic for one of my "Holidays Past in Alabama" postings on Father's Day. The ad just seems to set the right tone for this series. Beef, beef, beef! Oh, and Father's Day!





This little cutie made an appearance at the most recent Pelham Palooza last May. Blind in one eye, she is a permanent resident of the Alabama Wildlife Center located in Oak Mountain State Park. If you've never been to the AWC, it's well worth a trip--and your support. 



I turned a corner in a Pelham consignment shop and there it was. I did not check the price. 




This image is one of several delightful coffee signs decorating Kai's Koffee in Pelham, a place Dianne and I visit often. 




I found a pile of these on the book table at the Hoover Costco. I leave it to readers to unpack the multiple ironies. 



I spotted this delicacy at a Tuesday Morning store in Huntsville. I probably should have bought it even if the market for Elvis memorabilia is falling





Stories about medical people and places form a major genre in publishing just as they do on television. One subgenre is nursing stories and that includes titles like this one for younger girls in the Sue Barton series. This first title in the seven-book series was originally published in 1936. I found this paperback reprint in a Pelham consignment shop. 


Tune in next time boys and girls for another adventure in strange encounters!


Tuesday, July 18, 2017

Alabama Authors Babs & Borden Deal

Babs and Borden Deal were a rare couple among writers--two very successful novelists from the 1950's through the 1970's. And since then they have both slipped into obscurity. Let's investigate their Alabama connections.

Babs Hodges was born in Scottsboro on June 23, 1929. After high school graduation she worked in Washington, D.C. as clerk/typist and as typist at Anderson Brass Company in Birmingham. She received a B.A. from the University of Alabama in 1952. Both she and Borden studied under legendary author and professor of creative writing Hudson Strode, although not at the same time. Strode taught at UA for more than 25 years and his students went on to publish over 50 novels and hundreds of short stories. 

She and Borden married in 1952 while both were in Tuscaloosa; Babs was his second wife. They divorced in 1975. The couple had three children, son Brett and daughters Ashley and Shane.

During much of their marriage they lived in Sarasota, Florida, where they circulated in the company of other writers including well-known crime and suspense novelist John D. MacDonald. Rumors of an affair between MacDonald and Babs resulted in MacDonald writing a letter to Borden denying it. [See Hugh Merrill's biography of MacDonald, The Red Hot Typewriter, 2000]

Borden was born in Pontotoc, Mississippi, on October 12, 1922. After graduation from high school he joined the Civilian Conservation Corps, where he worked on firefighting crews in the Pacific Northwest. He served in the U.S. Navy from 1942 until 1945, and then entered the University of Alabama and studied under Strode. He graduated with a B.A. in 1949. He moved to Mexico City College for graduate work; there he met his first wife. They had one child, but soon divorced.

The Deals remained in Tuscaloosa for a couple of years after the marriage and spent their time writing. Future author Wayne Greenhaw often watched the children so the pair could work. By 1954 the Deals were living in Scottsboro. While there Borden received a Guggenheim Fellowship in 1957 and a residency at the MacDowell Colony for artists in New Hampshire in 1964. That same year the family moved to Sarasota. By that time Borden had published eight novels and Babs her first two. 

Deal published over 20 novels and around 100 stories during his life. Some were published under pseudonyms. After 1970 he also wrote a series of erotic novels published anonymously, a practice many authors have used to supply quick funds. Two of his novels appeared posthumously, They Are All Strangers (1985) and The Platinum Man (1989). Babs published twelve novels.

Borden died of a heart attack in Sarasota on January 22, 1985. Babs, who lived at the time in Gulf Shores, died in a Montgomery hospital on February 20, 2004.

I never met Borden or any of the children, but I did meet Babs in the late 1970's. She was living in Auburn while her daughters were in school there. She and Dianne were friends when I met my future wife, who hadd met Babs through daughter Ashley. I remember Babs as a funny, earthy lady. 

Borden has entries in Wikipedia and the Encyclopedia of Alabama; Babs has neither. In his 2001 book Vanishing Florida, David T. Warner includes a memoir of Borden whom he knew in Sarasota. Babs does have an entry in the Alabama Literary Map and like Borden appears in various reference books covering Southern and/or American authors. Borden's papers are in the Howard Gotlieb Archival Research Center at Boston University. That collection includes sculptures of Babs and Borden by Sara Mayfield, a fellow Alabama writer. 

Alabama has had at least two other couples who were both widely published authors, C. Terry Cline and Judith Richards and the Covingtons, Dennis and Vicki

Further comments follow many of the images below. 





This novel, Babs' fifth, first appeared in 1968. The following year she received the Alabama Author Award from the state library association for the book. Dianne has told me Babs once informed her that the book was loosely based on real Tuscaloosa events.



On December 3, 1979, NBC broadcast a TV movie adaptation of that novel under a new title. The film featured an all-female cast that included Paula Prentiss, Tina Louise, Loretta Swit, Stella Stevens, Shelley Fabares and Sondra Locke. 




A TV-movie tie-in reprint of the novel appeared in 1979.




Her first novel appeared in 1959.




Babs' second novel, originally published in 1961, was reprinted by the University of Alabama Press in 1990. That is the most recent reprint of any of her works. In its review of the reprint, Library Journal declared, "This is a southern writer who can be appreciated by all." (15 September 1990, p. 105)



This thriller was published in 1973.




She is buried in Cedar Hill Cemetery in Scottsboro.

Source: Find-A-Grave

Her 1969 country music novel is dedicated to friend, fellow writer and onetime baby sitter Wayne Greenhaw, who has left a remembrance of the Deals in his essay in The Remembered Gate: Memoirs by Alabama Writers. The book was "really about Hank Williams" she told Clarke Stallworth in the article discussed below. 



In this 1962 novel, Deal's characters all work at night. 




This novel appeared in 1975.


Other novels include The Grail (1964), Fancy's Knell (1966), Summer Games (1972), The Reason for Roses (1974) and Goodnight Ladies (1978). The Grail was a football novel in which the star quarterback falls in love with the coach's wife. The book is based on the legends of King Arthur; for background on football she consulted Bear Bryant and Gene Stallings. 



This article by Clarke Stallworth appeared in the Birmingham News 26 March 1982. In it she laments the "bestseller" mentality of publishers and notes that after 25 years her publisher Doubleday doesn't "want me any more." She mentions the completed manuscript for a thirteenth novel. Perhaps it is among her papers, also at the Howard Gotlieb Archival Research Center at Boston University.  

Her published short fiction includes:


On June 27, 1961, an adaptation of her story "Make My Death Bed" appeared on the Alfred Hitchcock series. The thirty-minute program was broadcast in the show's sixth season. As of this writing a video of the episode is available here












This 1976 novel was adapted as a two-part movie for television and broadcast in 1988. 








Borden's second novel was published in 1957 and explores the coming of the Tennessee Valley Authority to north Alabama. This book and one by fellow Alabama author William Bradford Huie served as the basis for the 1960 film Wild River  starring Lee Remick and Montgomery Clift. 




This anthology published in 1976 contains Deal's story "A Try for the Big Prize" that first appeared in Hitchcock's magazine in May 1961.





This 1959 novel about southern hill country music served as the basis of the Broadway musical A Joyful Noise in 1966.




This novel appeared in 1965.



This novel was published in 1974. 



The Advocate (1968) is the middle novel of a "political trilogy" that also included The Loser (1964) and The Winner (1973). 



As he had done with the early novel Dunbar's Cove and the TVA, this 1970 book explored the effects of massive change on the South. In addition to that theme in his novels, Deal also wrote about basic human characteristics such as ambition, lust, greed, infidelity and a young man's coming of age.




This photograph on the back cover of Interstate was taken by fellow author John D. MacDonald. 



The first part of this Walt Disney's Wonderful World of Color episode was  broadcast on March 8, 1964, and the second part a week later. The film was based on a story by Borden, probably "Watermelon Moon" first published in Argosy (UK) in February 1963.



Borden's published short stories include:


DEAL, BORDEN; [born Loysé Youth Deal] (1922-1985); (about) (chron.)