Friday, February 17, 2017

A Quick Visit to Montgomery (2)

In August 2012 son Amos and I made a trip to Montgomery to see some historical sites. Along the way, as I've covered in previous blogs, we happened upon a great Alabama ruin, the Clanton Drive-In, and made a trip through Tuskegee on the way back. This post is the second of three devoted to Montgomery. Part one can be found here and part three here

Downtown Montgomery was quiet that day, since the legislature was not in session.

Comments are below some of the photographs. 



The front steps and entrance of the Alabama State Capitol at the end of Dexter Avenue. This Greek Revival building was constructed in 1851 on the foundation of the previous capitol, which had burned. The side and rear wings were constructed later.

All three branches of government were located here until 1940, when the Supreme Court moved to its own building on Dexter Avenue. The state legislature met here until moving to new quarters at the State House in 1985. The governor's offices remain here.

The Alabama Department of Archives and History has a number of historical photographs of the capitol in its digital collections.



These are two backside photos of the Alabama State House.















A shot from the balcony down into the Senate chamber. 







Stand in the rotunda and look up and this is what you see at the top of the dome. 



Artist Roderick MacKenzie painted eight panels depicting state history that hang in the Rotunda. Mackenzie began these panels in 1926 and finished in 1931. He also designed the plaster frames around the panels. 

MacKenzie, born in London, spent his youth and many adult years in Mobile. His long and fascinating career included art studies in Boston and Paris and periods in working in England and India.  He returned to Mobile in 1914 and painted many works with Alabama themes until his death in 1941.




















Tuesday, February 14, 2017

A Quick Visit to Montgomery (1)

In August 2012 son Amos and I made a trip to Montgomery to see some historical sites. Along the way, as I've covered in previous blogs, we happened upon a great Alabama ruin, the Clanton Drive-In, and made a trip through Tuskegee on the way back. In this post and two more I'll share some of the photos from the Montgomery trip and make a few comments. Downtown Montgomery was quiet that day, since the legislature was not in session.

Montgomery is one of Alabama's most history-filled cities. Much attention has been paid to the Civil War period and the Civil Rights era; many articles and books have been published on those periods and individual participants. A recent book on the antebellum period is Jeffrey C. Benton's Through Others' Eyes: Published Accounts of Antebellum Montgomery, Alabama [2014]. 

We saw both the Dexter Avenue Baptist Church and the ministers' home, although we did not have time to go through either one. More comments are below a couple of the other photos. More sites to come in parts two and three of this series. 






















Benjamin Moore Hotel and Majestic Cafe served many prominent African-American visitors to Montgomery. 



If the Smithsonian is the "nation's attic", then the state archives is Alabama's "attic." However, like the Smithsonian, the place has better organization and staff than most attics. 







Friday, February 10, 2017

Medical History in Birmingham: The List

I recently worked on a blog item fitting this general topic, and it dawned on me how many such posts I've done since I start this blog in March 2014. I've also published relevant items in other venues. I decided to bring them together in a single posting with links; perhaps I'll be doing something similar in other subjects. I'll try to keep this one updated as well.

So here we go....















Hektoen International series on "Famous Hospitals: Hillman Hospital





Profile of Dr. Lloyd Noland 
Important to public health in Birmingham for many years




Tuesday, February 7, 2017

A Plaque in UAB's Jefferson Tower

I've written a number of blog posts and other items devoted to some aspect of medical history in Birmingham, and this one is another in that series. 

Past the main entrance of the Jefferson Tower building on the UAB campus, near the public elevators, is the plaque you see below. Let's investigate.

In the 1930's the growing number of indigent patients in Jefferson County began to overwhelm the facilities at Hillman Hospital. The county and Birmingham agreed on a joint funding mechanism in 1939. The year before the U.S. Public Works Administration offered two million dollars in a grant and loan to fund the building of a new hospital that would charge patients based on their ability to pay. 

The new facility was a modern one, sixteen stories that could hold almost 600 patients. The maternity ward occupied the entire fifth floor, and eight operating rooms filled the seventh floor. The top two floors provided living space for numerous nurses and interns. 

The first patients were accepted at Jefferson-Hillman Hospital in February 1941. In December 1944 the county gave the hospital to the University of Alabama. This donation was part of the two-year Medical College of Alabama's move from Tuscaloosa to Birmingham to become a four-year school. Students entered the first class in October 1945. 

The building was renamed Jefferson Tower in 1979. UAB's new hospital building, the North Pavilion, opened in late 2004 and most clinical services were moved out of Jefferson Tower.

My original purpose for this blog post involved the local names on this plaque. I've spent some time researching all of them, but found nothing much online about the six commissioners listed. The same goes for half the men listed on the Building Committee. However, Cooper Green was a well-known businessman and politician and the namesake for Cooper Green Mercy Hospital. Dr. Harry L. Jackson was apparently a prominent local surgeon.

James S. McLester, MD, had served on the faculty of the Birmingham Medical College from 1902 until 1915 when the school closed. He was Professor of Medicine at the Tuscaloosa school and then at the new one in Birmingham from 1920 until 1945. He was head of the Hillman Hospital medical staff. An expert on nutrition, McLester published two books on the topic. He also served as President of the American Medical Association in 1934.

The Birmingham Public Library has this information about the architect in it's introduction to the collection of his firm's papers:



"Charles H. McCauley (1893 – 1970) was born in Chicago and studied architecture at the University of Illinois. McCauley practiced architecture in Chicago before moving to Birmingham in 1919 where he worked for William Leslie Welton before opening his own practice in 1925. McCauley and his firm, Charles H. McCauley Associates, designed many important buildings in Birmingham including Temple Beth-El (1926), Medical Arts Building (1931), Birmingham City Hall (1950), Boutwell Auditorium Entry Pavilion (1957), U.S. Post Office and Vehicle Maintenance Facility (1968), and First National – Southern Natural (1968-1971, with Welton Becket & Associates). At the time of McCauley’s death in 1970, Charles H. McCauley Associates was one of the largest architectural practices in the South. "




These individuals, agencies and companies created an important part of what became the medical and university behemoth UAB is today.







Cooper Green in 1947

Source: BhamWiki



James S. McLester, MD




1939 architect's rendering of Jefferson Hospital

Source: BhamWiki



1945 aerial view of Jefferson Tower. The Kracke Building is in the lower right and Hillman Hospital on the upper right of the block. I've written a blog post about "Birmingham's Heaviest Medical Block."

Source: BhamWiki




Thursday, February 2, 2017

J.C. Lincoln's Sunny South Minstrels in Alabama in 1936

First appearing in the 1830's, minstrel shows are perhaps America's oldest original contribution to theatrical popular entertainment, but they are a very problematic one. The productions included comedy, dancing and music and initially featured white performers in "blackface". The material made extensive use of black people as objects of hilarity, grotesque stereotypes and ridicule. Troupes with black actors and performers began to appear as early as the 1840's. Minstrel shows featured numerous stock characters and a three-part structure with various characters and acts in each part.

Despite some controversy, minstrel shows were wildly popular across America until the late 19th century when vaudeville, musical comedies and other entertainments began to erode their audience, especially in the North. Minstrel shows managed to continue finding audiences in smaller towns of the South and Midwest into the 1930's. One or two companies toured very rural areas into the 1950's. 

Despite their controversial nature, minstrel shows have had tremendous influence on popular music and comedy that continues today. The quick gags and sketches of much modern comedy are descendants. Many influential black performers such as W.C. Handy, Ma Rainey, and Bessie Smith worked in minstrel troupes. Many films such as The Jazz Singer [1927] and Minstrel Man [1944] contain recreated minstrel routines. The Wikipedia article linked above has an extensive history of the shows and long lists of the films and further reading. 

As far as I know, the history of minstrel shows in Alabama remains to be written. However, during his visit to Alabama in 1935 and 1936 famed photographer Walker Evans took several photographs that tell us something about these travelling shows in the state in the 1930's anyway. 

The first two photographs contain advertisements for "J.C. Lincoln's Sunny South Minstrels". According to a comment on the Shorpy site, a man named Harry Palmer organized the show and first put it on tour "under canvas" in 1927. Several trucks were probably required to carry the tent and other equipment. 
According to one source, the group was also known as "J.C. Lincoln's Mighty Minstrels".

What could the audience expect at the Sunny South show? An advertisement recently for sale in a Hillcrest Books catalog gives us some specific information: "Featuring the Famous New Orleans Brown Skin Models. See ALVINA the Fan Dancer. Free Street Parade. World’s Greatest Mammoth Minstrel Review. Sweet Singers, Fast Dancers, Funny Comedians."

The information given at Shorpy indicates the show last toured from Dothan in 1934. If that's the case, the ads in the first two photos below were a year or two old when Evans took them. I have no idea who J.C. Lincoln was--perhaps a master of ceremonies for the show.

The third photo here features an advertisement for the "Silas Green Show", known in early decades as "Silas Green from New Orleans". Organized in 1904, the production toured the South in various forms until 1957. Time magazine gave it a review in its April 29, 1940 issue. "Silas Green" combined elements of the minstrel shows with the musical and comedy revues of vaudeville.

The show was originally written by vaudeville performer Salem Tutt Whitney, and sold to the only African-American circus owner in the U.S., Ephraim Williams. Williams developed and expanded the show and toured extensively with a tent that seated 1400 patrons. In the early 1920's Williams sold half interest in the production to Charles Collier. After Williams' death in the mid-1930's, Collier owned the show until it ceased touring. 

The final two photographs show another ad for each show. Comments continue below.




Photograph taken by Walker Evans in August 1936. You can view it in ultra large format at the wonderful Shorpy site. This photo may have been taken in Selma, although Evans visited other places, such as Marion, that same month.




Taken by Walker Evans in Selma in December 1935. This poster tells us the J.C. Lincoln troupe appeared on October 28 and adult admission was a quarter.

Source: Photogrammar at Yale University





That day Evans also photographed the shop next door with a poster advertising the Silas Green Show, which had appeared in town on Thursday, October 31--although not necessarily in 1935! That poster looks pretty weathered. 

Source: Photogrammar at Yale University




These two photographs are identified on the Library of Congress site as being taken by Evans in January 1936. No town location is given. Further research would be required to determine just when and where Evans took these various photos. 

Source: Library of Congress



Buck Jones was a major star of mostly western movies of the period. This film had been released in July 1935. 

Source: Library of Congress