Showing posts sorted by date for query gail patrick. Sort by relevance Show all posts
Showing posts sorted by date for query gail patrick. Sort by relevance Show all posts

Tuesday, July 28, 2020

Gail Patrick Jackson's Final Fade-Out

On May 22 1966, the final episode of the classic TV series Perry Mason aired on CBS. "The Case of the Final Fade-Out" was the 271st episode overall and the 30th of that ninth and last season. I recently re-watched the episode, which is probably one of the best series finales in dramatic television history. Of course, there's also an Alabama connection. Let's investigate....

In August 2015 I posted an item on actress Gail Patrick, born in Birmingham as Margaret Lavelle Fitzpatrick on June 20, 1911. After graduating from Woodlawn High School and Howard College, she headed to Hollywood. You can read about that change and her acting career at the blog post and Wikipedia page linked above. She appeared in more than 60 films between 1932 and 1948, including classics like My Man Godfrey [1936] and My Favorite Wife [1940]. I recently saw that latter film, which is delightful, even if Irene Dunn does get husband Cary Grant back in the end. Patrick is outstanding as the other wife.

Patrick had a second career as producer of the Perry Mason TV series that ran 1957-1966. Let me quote myself to explain how that happened:


"In 1947 Patrick married Cornwell Jackson, who just happened to be the literary agent for Earle Stanley Gardner. Gardner was a prolific author best known for his series of Perry Mason novels. Jackson secured the film rights to those novels, and through his company Paisano Productions Patrick became producer of the very successful Perry Mason television series. Gardner had disliked a series of film adaptations done in the 1930's, and wanted no more appearances by his character outside his novels. Apparently Patrick talked him into changing his mind."


"The Case of the Final Fade-Out" is a self-referential episode unusual for its day and still fun to watch. The murder takes place on the set of a popular TV series; the victim is the insufferable male star, who's made enemies of everyone. The first half  unfolds mostly on the set as police question other actors in the cast and various crew members. Those crew workers and others seen in the background of shots were actually Perry Mason workers. As noted below, even Executive Producer Patrick, one of her fellow producers and her husband appear in a bar scene. 

In addition to the series regulars, the main cast has several film and television veterans. Jackie Coogan began his career as a child in a 1921 Charlie Chaplin film; he later played Uncle Fester in the The Addams Family TV series in the 1960's. English actress Estelle Winwood performed on stage in London before moving to the U.S.; she made numerous film and television appearances until she was 100 years old. She was also a long time friend of Alabama native Tallulah Bankhead. Denver Pyle played first a suspect then a victim in this episode, the last of five appearances he made on the series. He was a prolific film and tv actor perhaps best remembered as patriarch of the Darling family in The Andy Griffith Show. Dick Clark took time out from his duties on American Bandstand to perform in a rare dramatic role. 

Erle Stanley Gardner's Perry Mason character has cut a wide swath through American popular culture. The first novel The Case of the Velvet Claws appeared in 1933; the eightieth was published in 1969. Two more appeared after Gardner's death. Many of the novels were serialized in a popular magazine of the day, the Saturday Evening Post. Gardner was a very prolific author and published much before he created Mason and other novels in between the Mason ones. He also published non-fiction and worked a legal career in there somewhere. When Gardner died in 1970, he was the best-selling American author. 

Mason quickly jumped to other media. In the 1930's Warner Brothers released six films featuring the character, with three different actors in the role. A weekday radio series on CBS ran from 1943 through 1955. Four different actors played Mason. CBS wanted to create a show for daytime television and retool the character for the soap opera audience, but Gardner refused. Instead, CBS used that potential show's writers and staff to create The Edge of Night, which ran for thirty years on television. CBS gave Gardner a show more to his liking which ran 1957-1966.

In 1958 Patrick attempted to bring a second Gardner property to television based on the Bertha Cool and Donald Lam novels. A pilot episode was produced and broadcast, but did not proceed  to series. In 1969 she and Jackson divorced, but the two and Gardner's daughter remained partners in their production company. Jackson later proposed a Perry Mason series revival, and Patrick was the only holdout. She was given a credit of executive consultant on The New Perry Mason but had nothing else to do with it The program, starring Monte Markham in the title role, did not please either critics or audience and only fifteen episodes were made for the 1973-74 series.  

The character returned to success in the 1980's. A television film series began in 1985; thirty films were made by 1995. Burr starred in the first 26. In the final four, Paul Sorvino in one and Hal Holbrook in the final three played lawyer friends of Mason's. Barbara Hale returned as Della Street and her son, William Katt, played Paul Drake, Jr., in the first nine films. 

In 2015 a publishing arm of the American Bar Association began returning the Mason novels to print. On June 21, 2020, the first episode of a new Perry Mason miniseries premiered on HBO. Set before the first novel, Mason is not yet a lawyer and is eking out a living as a sleazy private eye working for an attorney whose secretary is named Della Street. The series is gorgeously filmed, and I'm enjoying Matthew Rhys' performance as the down-and-out Mason. We're learning a lot of the character's back story, including service in World War I. 

Who knows what the future holds for Perry Mason. But one thing's for sure--a woman from Alabama played a major role in creating the most iconic non-print expression of Gardner's character. 





A Patrick glamour shot

Source: Travalanche blog




Patrick in a modest little dress in the film Mississippi [1935] which also starred a couple of guys named Bing Crosby and W.C. Fields. 

Source: Wikipedia





Patrick in Gallant Sons [1940]

Source: Wikipedia




William Hopper and Patrick in a Paramount Pictures publicity photo July 1936. Hopper would take the role of private detective Paul Drake in the Perry Mason series Patrick produced. 

Source: Wikipedia




Cary Grant and Gail Patrick in My Favorite Wife [1940]









Jackie Coogan [1914-1984]





Estelle Winwood [1883-1984]




Denver Pyle  [1920-1997]




Dick Clark [1929-2012]




Producer Art Seid & Patrick are seen quickly in the bar scene. That's Patrick's husband Corney Jackson in the background as the bartender. Anne Nelson, a CBS executive, and Lester Salkow, Raymond Burr's agent, also appear in this scene. 

In the late 1940's Patrick had purchased a gated estate in Los Angles with almost seven acres. The mansion, constructed in 1911, was used in some Mason episodes. 

Source: Jim Davidson's Pinterest board




District Attorney Hamilton Burger, played by William Talman, makes a point to the judge, played by the author of the Perry Mason novels, Erle Stanley Gardner



Another shot of Gardner as the judge




And so "The Case of the Final Fade-Out" and the series itself reaches the end. Here we see the main characters together one final time. William Talman played District Attorney Hamilton Burger, Richard Anderson as police Lt. Steve Drumm, Raymond Burr as Mason, William Hopper as private detective Paul Drake and Barbara Hale as secretary Della Street. All but Anderson had been with the series since the first episode. 

Source: Pinterest




In the final shot Mason is talking to Drake and Street about their next case. The source for this image is a blog post from 2014 that discusses this final episode and notes that exteriors were shot at the Chaplin Studios in Hollywood. 



Patrick, Erle Stanley Gardner and columnist Norma Lee Browning on the set of the final episode, April 1966

Source: Wikipedia




Jackson as Executive Producer

Source: Pinterest



March 1958

Source: Pinterest





This pattern was apparently one of several promoting actresses that ran in newspapers; see a few more at the source below. 

Source: Pinterest


Friday, August 2, 2019

Movies with Alabama Connections: Murder at the Vanities


Dear readers, in this post we're going to look at a film that has it all. Two murders by two different killers, for one thing. Lots of high concept musical production numbers, including one at the end featuring Duke Ellington and his Orchestra. Lots of nearly naked cuties in those production numbers. The introduction of a classic big band tune, "Cocktails for Two." The introduction of another song that may not be a classic in the same way, but still--"Sweet Marijuana". All from a film made in 1934 and featuring not one but TWO Alabama connections. Let's investigate.

On September 12 1933, a musical revue/murder mystery opened at the New Amsterdam Theatre in New York City. "Murder at the Vanities" was just one of many "Vanities" mounted by producer Earl Carroll over the years. One secret of his success was the fact his shows featured the most scantily-clad singers and dancers on Broadway. This particular show ran until early November before moving to the Majestic Theatre and finally closing on March 10, 1934. I scanned the lengthy cast list for this production; the only name I recognized was Bela Lugosi

On May 18, 1934, Paramount Pictures released a film version. The movie barely  beat the July 1 final implementation of the Hays Code, which severely restricted subject matter in Hollywood films. Murder was thus one of the last Pre-Code films, those made from 1930 when the code was first accepted by the studios until that final deadline. Many of these films are still striking today in their depictions of drug abuse, crime of all sorts, abortion, prostitution, infidelity, promiscuity, homosexuality and the display of copious amounts of bare female flesh. 

Murder at the Vanities takes place during a performance of a musical review of that title. Danish actor and singer Carl Brisson plays Eric Lander and actress/singer/future game show panelist Kitty Carlisle is Ann Ware; the two are the stars of the show. Ware has replaced Rita Ross (Gertrude Michael) as both the female lead of the show and in Lander's heart. The pair are getting married the next day. Naturally Rita is not too happy about this situation, since she loves Lander, too. 

The film has an interesting structure, alternating between the production numbers and the police investigation going on backstage. Thus the entire film happens in real time except for a few flashbacks near the end. Other stars include Jack Oakie as producer Jack Ellery and Victor McLaglen as police lieutenant Bill Murdock. 

I'm sure by now, dear readers, you're thinking, "This is all very nice, but what are those Alabama connections?"

Those connections are Gertrude Michael and Gail Patrick, both natives of the state. Michael was born in Talladega and graduated from Talladega High School. She started at the University of Alabama, but soon left and spent several years studying music in South Carolina, Cincinnati and Italy. By 1929 she was on stage back in Cincinnati, and Broadway soon followed. She made her first film in 1932. Other films and then television shows followed until her death on Christmas Eve in 1964. 

Patrick's first film was also in 1932. Born in Birmingham, she graduated from Howard College. On a lark she entered a Paramount Studios beauty contest and did not win, but was awarded train fare to Hollywood. She appeared in numerous films, including such well known ones as Brewster's Millions and My Man Godfrey. She retired in 1948, but keep busy with other projects. For instance, she served as executive producer for the entire television run of Perry Mason from 1957 until 1966. She died in 1980. 

I've done a blog post on Patrick in my series on film actresses from Alabama before 1960. I'm planning one on Michael in the future. 

As you might imagine, this film has been discussed by various film bloggers over the years. Some like it for its sheer inventive craziness, others can't seem to wrap their heads around it. You can read some of those takes at The Mystery File, Pre-Code.com, and Random Pictures Blog. The film is 89 minutes long. 

I really enjoyed Murder at the Vanities. The costumes and sets are jaw dropping and the dialog is often snappy and funny. Of course, you have to overlook the silliness of the whole thing in order to enjoy it. Something I did notice is that we hear their applause but never see the audience in the theater.

Murder at the Vanities sort of strikes me as what might have resulted if Samuel Beckett and Busby Berkeley collaborated on a murder mystery musical. Or something.

The full length video of the film is available on YouTube but for some reason is  awkwardly cropped. However, if you watch it you can follow the action pretty well. Murder is also available on the 2009 six disc set "Pre-Code Hollywood Collection." 

More comments are below some of the images. 








A number of posters seem to have been created for this film. 









The film's title card



The film is full of elaborate production numbers featuring numerous young women. This scene appears in the long opening number, "Where Do They Come From and Where Do They Go?" which is sung by Kitty Carlisle wearing a floor-length dress. 




This scene appears in another number in which Carlisle is barely covered by a few strategically placed leaves. That's Kitty lounging at the top of this photo with Carl Brisson. During the number they discuss the need to delay their wedding in the wake of the first murder. 




The sets on this film are something else. Somewhere in the large chorus of young ladies in these production numbers danced future stars Lucille Ball and Ann Sheridan.  


Gail Patrick plays Sadie Evans, private detective, the first of two murder victims. 



Gertrude Michael as Rita Ross in a non-singing moment



And here's Gertrude Michael in the big set and production for "Sweet Marijuana".





Gertrude really gets to make her feelings known in this number. I was pleasantly surprised by her voice, which I like much better than that of Kitty Carlisle. 

"Sweet Marijuana"

Music: Arthur Johnston / Lyrics: Sam Coslow

Soothe me with your caress Sweet marijuana, marijuana Help me in my distress Sweet marijuana, please do You alone can bring my lover back to me Even though I know it's all a fantasy And then you put me to sleep Sweet marijuana, marijuana (Instrumental Break) You alone can bring my lover back to me Even though I know it's all a fantasy And then you put me to sleep Sweet marijuana, marijuana




The song titled "Marahuana" was recorded in 1976 by Bette Midler for her Songs for the New Depression album.







Oh, wait, in the midst of all this musical excitement, a murder mystery is going on behind the scenes. At the end of "Sweet Marijuana" blood from the first victim Sadie Evans drips from the rafters onto one of the ladies atop a cactus. 







Here's Duke Ellington in the midst of his number near the end of film.

This number, "The Rhapsody, the Rape and the Revenge" is shall we say very strange. Eric Lander, in a white suit sitting at a white piano, sings while dancers in vaguely 18th century wigs and costumes cavort. Before long Rita Ross is singing and Duke Ellington and his Orchestra are playing as a chorus and black and white women sing and cavort wildly. The original classical sounding music is transformed into a very uptempo big band number. 


Eric Lander singing and playing "The Rhapsody"

This spectacle must have jarred movie audiences since blacks and whites were performing together on the same stage. Alas, Lander soon reappears with a machine gun and mows down the offending dancers and musicians, including Rita Ross. As things turned out, Ross has really been killed with a revolver shot. 



These dancers in the Ellington number seem to be wearing someone's idea of erotic maid outfits.




Reality intrudes in a few places in the film. There is Helene Smith, the wardrobe woman working at her sewing machine. Norma, who is dressed like a maid, helps the lovelies get ready for their numbers, and is treated terribly by Rita Ross. And then we see this cleaning lady working under a sign that reads, "Through These Portals Pass the Most Beautiful Girls in the World."  



Gertrude Michael with an accessory in a scene from another film



Gail Patrick a bit later in her film career







Monday, January 1, 2018

What's Coming to the Blog in 2018?

For the fourth time I'm taking a look at what's ahead for AlabamaYesterdays in the coming year, and what kind of success I've had fulfilling my own prophecy at the beginning of 2017, etc. All previous posts are below.

I maintain a long laundry list of possible blog post topics. Some may never get done, but I keep the wish list going. Here's a few I HOPE to do in 2018:


-Carnegie Libraries in Alabama

-Ambrose Bierce in Alabama

-Alabama Women at the World's Columbian Exposition in 1893

-Alabama Author Michael McDowell's 1977 Dissertation on Death

-Birmingham Doctors in 1920

-P.T. Barnum Visits Alabama

-Langston Hughes' Alabama Poems

-There's a Ticket Stub for That [a journey through 30 or so years of movies, concerts, etc.]

-Vladimir Putin's Alabama Connections [just kidding--maybe]



Looking at the list for 2017, I'm pleased to note I actually managed to complete posts on four of the topics listed. These included my dad's time aboard the USS Errol, notes from a trip to some historical sites in Montgomery, several posts on 19th and early 20th century songs with Alabama connections, and artist Anne Goldthwaite. Hopefully, I'll be at least that successful!

I should also top 400 posts since March 2014 sometime this year. See you in the funny papers. 




















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What's Coming to the Blog in 2017?

On January 1, 2016, I posted an item under a similar title purporting to described what was coming to the blog in the coming year. I had done the same thing in 2015; both of those posts are copied below.

So here I am wondering what's coming in 2017. Looking back at the predictions for 2015 and 2016, I realized I actually have posted some of the stuff I listed.

I did explore the Alabama connections in Rock Hudson's 1953 film The Lawless Breed. I have started a series and completed several entries on actresses from Alabama who achieved fame in Hollywood before 1960. I did take a look at Augustus Thomas' 1891 play "Alabama" and some old Alabama postcards.

I will leave topics listed in 2015 and 2016 but not yet covered to discovery by discerning readers. They all remain on the "to do" list.

I also hope to get around to at least some of these topics in 2017:

-Dad and the USS Errol


-A Visit to Montgomery


-The Lady from Lipscomb Who's Buried in Austria


-More Early Alabama Songs


-Harriet Martineau Visits Alabama in 1835


-Alabama's Weird Tales Connections


-Anne Goldthwaite, Alabama Artist



Sometime fairly early in 2017 I will also be putting up the 300th post on this blog. Scary. I started the blog in March 2014 and have posted some 285 items so far. Scary.

As I noted in closing the 2016 speculations, the various series such as "Alabama Book Covers", "Old Alabama Stuff", "Birmingham Photos of the Day" and so on will continue. And other topics will surely pop up that I don't even see coming at me yet. Isn't this fun?

And as granddad still used to say, "See you in the funny papers."

You do know what funny papers are, don't you?










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What's Coming to the Blog in 2016??


On January 1, 2015, I posted a document with a similar title. Here I am again one year later doing more or less the same thing.

First, let's take a look at last year's list, which you can also find below. I've actually posted blogs on a couple of the topics I intended to do. In February I covered the film The Lawless Breed and its connections to Alabama. Two more postings in that series followed during the year and more are in the pipeline.

I also started the series on film actresses from Alabama before 1960 and have posted on Lois Wilson and Gail Patrick. Dorothy Sebastian is next and others will follow.

And that's it. All the other topics I listed a year ago have yet to appear on this blog. What can I say? I'm easily distracted. Don't worry; they are all still in that mythical pipeline and some may even pop up in 2016. I also have many other topics "coming soon":


-What was America's first female detective doing in Montgomery before the Civil War?

-Some old Alabama postcards and the messages they send to us

-Some Alabama medical ads in 1911

-Augustus Thomas' 1891 play "Alabama"


Of course, the various series such as "Alabama Book Covers", "Old Alabama Stuff", "Birmingham Photos of the Day" and so on will continue. And other topics will surely pop up that I don't even see coming at me yet. Isn't this fun?

And as granddad still used to say, "See you in the funny papers." You do know what funny papers are, don't you?



What's Coming to the Blog in 2015??

People will be born, people will die. People will fall in love, get married, fall out of love, get divorced--wait, wrong list!

What's in store for THIS BLOG in 2015? Maybe I can get more specific with that one.

I began this blog in March 2014 and by the end of the year I'd put up 95 postings. Crazy. Topics ranged from old books to silent movies to old photos to abandoned drive-ins to a giant frog in Mobile. Oh, and Alabama Pizza Pasta in London. All of it related in some way to Alabama history. Mostly.

This year the onslaught of random quirkiness will continue:

-What's the Alabama connection in Rock Hudson's 1953 film The Lawless Breed?

-Who were some well-known movie actresses from Alabama--besides Tallulah Bankhead--long before Kate Jackson, Louise Fletcher, Courtney Cox and Kim Dickens?

-What three famous film directors have Birmingham connections?

-Who were all those photographers criss-crossing Alabama for the Farm Security Administration in the 1930s?

-Who were three female writers from Alabama whose first names began with Z?

-Who was Ambrose Bierce and why did he come to Alabama in the 1860's?

-What kind of career has train robber Railroad Bill had in blues and folk music?

-Will the madness ever end?

As my grandfather used to say, "See you in the funny papers."

Thursday, April 13, 2017